Glass's only entry in this year's Hall of Fame falls 26 places
'Minimalism' is a term that's frequently bandied about when it comes to describing a particular kind of music. But in the 1970s, it was an entirely new concept, and Philip Glass was at the forefront of its definition.
Nowadays, Glass is less keen to be tied down by the m-word, preferring instead for his music to simply be described as having 'repetitive structures'. Commenting on his Violin Concerto, composed in 1987 and his first major orchestral work, Glass said, 'The search for the unique can lead to strange places. Taboos the things were not supposed to do are often more interesting.'
The repetitive nature of the piece has its detractors, but there's no doubt that this is one of the most significant instrumental concertos to have been composed in the last thirty years.
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